![]() Eye Mind: The Saga Of Roky Erickson And The 13th Floor Elevators, The Pioneers Of Psychedelic Sound by Paul Drummond (Process Paperbacks) ISBN: 978-0-9760822-6-2 The 13th Floor Elevators remain the template for all serious purveyors of esoteric psychedelia some 40-odd years after their implosion. Their erstwhile talisman and lead vocalist, Roky Erickson, has maintained his pole position as the cult aficionados cult hero throughout the ensuing decades, and its not beyond the realms of exaggeration to claim: no 13th Floor Elevators; no alternative rock! If you find that nugget hard to swallow, just ask R.E.M. if anyones made a mint off of the back of Roky, Stacey (RIP), Tommy, and them good old boys, its those dudes from Athens, Georgia! Eye Mind, then, is Paul Drummond redressing the balance with the mother of all rock and roll tomes. At 423-pages, and with a foreword by the irascible Julian Cope, this indispensable volume expands the storyboard of recent Roky bio-pic, Youre Going To Miss Me (Palm), with detail upon detail. Depending on who you believe, this labour of love took Drummond anything between seven and eleven years to complete, stacking up the air-miles and a sizeable carbon footprint commuting betwixt Texas and the UK in the process. The story of the 13th Floor Elevators puts the exploits of many later hell-raisers firmly in the shade. Formed back in 1965 when LSD was still legal in the USA, the Elevators spent their entire working life as the number one Public Enemy of the forces of Texan law enforcement. Some go so far as to claim that the groups entire existence was carried out under police observation. With their outlaw stance and their prodigious appetite for mind-altering substances, the Elevators, and in particular, Erickson, were never quite sure who was watching them. The paranoia induced by this kind of attention became the very fuel that fired the groups ever decreasing circles of existence. Part-thriller, part-historical-investigation, part-holy-text (Cope), Eye Mind shines a torch back into the gloom of the mid-60s to illuminate a hitherto undocumented era of innovation and excess. Leaving no mossy headstone unturned, Drummond methodically pieces together these fables of the reconstruction with the type of precision normally afforded to authors of true crime. To the straights they were regarded as freaks. To the hippies they were regarded as punks. Their short (by comparison) hair and dark clothing marked them out from the common or garden beatnik as something altogether more threatening. With their conceptual advisor and jug-blowing lyricist, Tommy Hall, imploring them to play the acid, the Elevators live schedule was often constructed around their lysergic ingestion patterns: the group would play up to 3-gigs a trip to maximise the longevity of said LSD experience, and take it to its logical conclusion every time! Habitual LSD usage, however, does have its Achilles heel, and a supporting cast of heroin, alcohol and other destabilising substances soon took their toll on the Elevators and their entourage, complicating an already convoluted scene beyond the pale. Despite the initial success of the groups debut 45, Youre Gonna Miss Me, commercial nirvana proved impossible to find. The Elevators were on the back foot almost from the get-go, doomed to failure with regard to replicating the sales graph of that opening vinyl statement. Eventually it took the groups inclusion on Lenny Kayes seminal Nuggets collection almost a decade later to alert the burgeoning proto-punk community to the genius of the Elevators, allowing Patti Smith et all to claim direct lineage, much as Led Zeppelin had done back in 1969. The connection between the psychedelic sounds of the 13th Floor Elevators and punk rock cannot be understated: just one listen to Sundazeds recent return to mono vinyl edition of the Elevators startling debut long player, The Psychedelic Sounds Of The 13th Floor Elevators, proves beyond doubt that what surfaced around 1975/76 had its roots firmly planted a decade earlier than most punk rock historians would care to admit, but then again, conventional history tells us that Khufu built the Great Pyramid, that the Sphinx is post-diluvian, and that Stonehenge was constructed some time around 3500 BC. If you dont already own every recorded moment the Elevators committed to tape for posterity, then Id advise you to invest forthwith: their debut long player, and its successor, Easter Everywhere, are both copper-bottomed genre classics with massive spiritual hearts beating at their spindle holes. A patchy Live LP, including dubbed-on audience applause taken from a boxing match added to early demos (a good example of some of the sharper practices employed by the Elevators record label, International Artists), and the Sutherland-controlled Bull Of The Woods complete the set. Having the music to hand (ear?) as you plough your way through the results of Drummonds extensive labours is tantamount to understanding the Elevators per se. Meanwhile, Drummond himself has been hard at work compiling the forthcoming 10-CD Elevators box-set, All And Everything (Charly), due later this year. Elevator, going up! With Roky now rehabilitated and playing out once more, thanks to the concerted efforts of heroic brother, Sumner Erickson, weve come full (unbroken) circle. These days, Mr Erickson is the proud owner of a set of new teeth, courtesy of Henry Rollins, hard at work on a new studio LP, with a little help from Billy Gibbons (ZZ Top), and hardly ever sits at home alone listening to 43-different radio stations and 27-TV channels all at the same time! Dust from your skin Must trust, when it scatters Only love matters It's been overjoyed Scents and perfumes Whence, since your higher fragrance Is memory Incense and never destroy Every stop we've taken Is now a wonderous shrine Where nature is in order Your sense is sensing mine As I love you All the creatures play As I love you Now it's safe to say There's no hang up in our way The trees in our gaze will show us the love that we breath in This shouldn't amaze They openly love all they are And love's all they are Gifts, to begin Bliss, cliffs of expression They suit our impression and every whim. Taste has got thirst Faced, waste Beyond uses, with so many juices Were filled to the brim Our pleasure's not forsaken we cultivate our bend More chances re-awaken when beginning meets the end As I love you, Now it's safe to say There's no hang up in our way As I love you The faith that we build Will strengthen our close growing closer Till waiting is filled We simply remember we are, where ever we are. Clay that we print May stay as we mold it but will never hold it The promise is long Till we're complete Will, still is intention We still need attention to help us along - Dust Jean Encoule 2008: wastebin@trakMARX.com | Bedoin tribes ascending From the egg into the flower, Alpha information sending State within the heaven shower From disciples the unending Subtleties of river power They slip inside this house as they pass by If your limbs begin dissolving In the water that you tread All surroundings are evolving In the stream that clears your head Find yourself a caravan Like Noah must have led And slip inside this house as you pass by. Slip inside this house as you pass by. True conception, knowing why Brings even more than meets the eye Slip inside this house as you pass by. In this dark we call creation We can be and feel and know From an effort, comfort station That's surviving on the go There's infinite survival in The high baptismal glow. Slip inside this house as you pass by. There is no season when you are grown You are always risen from the seeds you've sown There is no reason to rise alone Other stories given have sages of their own. Live where your heart can be given And your life starts to unfold In the forms you envision In this dream that's ages old On the river layer is the only sayer You receive all you can hold Like you've been told. Every day's another dawning Give the morning winds a chance Always catch your thunder yawning Lift your mind into the dance Sweep the shadows from your awning Shrink the fourfold circumstance That lies outside this house don't pass it by. Higher worlds that you uncover Light the path you want to roam You compare there and discover You won't need a shell of foam Twice born gypsies care and keep The nowhere of their former home They slip inside this house as they pass by. Slip inside this house as you pass by. You think you can't, you wish you could I know you can, I wish you would Slip inside this house as you pass by. Four and twenty birds of Maya Baked into an atom you Polarized into existence Magnet heart from red to blue To such extent the realm of dark Within the picture it seems true But slip inside this house and then decide. All your lightning waits inside you Travel it along your spine Seven stars receive your visit Seven seals remain divine Seven churches filled with spirit, Treasure from the angels' mine Slip inside this house as you pass by. Slip inside this house as you pass by. The space you make has your own laws No longer human gods are cause The centre of this house will never die. There is no season when you are grown You are always risen from the seeds you've sown There is no reason to rise alone Other stories given have sages of their own. Draw from the well of unchanging Its union nourishes on In the right re-arranging Till the last confusion is gone Water-brothers trust in the ultimust Of the always singing song they pass along. One-eyed men aren't really reigning They just march in place until Two-eyed men with mystery training Finally feel the power fill Three-eyed men are not complaining. They can yo-yo where they will They slip inside this house as they pass by. Don't pass it by. -Slip Inside This House | |